1913 Plate. Duncan Grant via Bevel and Boss
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New Identity
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Thanks to the knowledge, skill and technical craft of Matt Rubin,
we are shaping a new identity for all web based units of measure. Basically with Matt's assistance everything we do on-line will be streamlined, easily accessible, and professional. From email to web presence, Matt is hooking us up with our dream web persona for the resources we would like to share with viewers like you. Expect great simple and minimal changes, and expect great things to happen.
Above is a found image of Something Home Something contributor Brion Nuda Rosch, he is photographed middle and center of the human totem.
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Thanks to the knowledge, skill and technical craft of Matt Rubin,
we are shaping a new identity for all web based units of measure. Basically with Matt's assistance everything we do on-line will be streamlined, easily accessible, and professional. From email to web presence, Matt is hooking us up with our dream web persona for the resources we would like to share with viewers like you. Expect great simple and minimal changes, and expect great things to happen.
Above is a found image of Something Home Something contributor Brion Nuda Rosch, he is photographed middle and center of the human totem.
.
_web.jpg)
Found Mountain Versus Narrow Green Pasture
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Simply Just That. BNR. Found Book Page (scanned) & Color
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Simply Just That. BNR. Found Book Page (scanned) & Color
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Step Piece
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In "Step Piece" Acconci stepped on and off a stool in his apartment every morning at the rate of thirty steps a minute, continuing the effort for as long as possible; the results of his "daily improvement" were distributed to the art public in the form of monthly progress reports.
Source: Kate Linker, Vito Acconci, Rizzoli, New York, 1994, p. 24.
Vito Acconci
also on UBU
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.
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In "Step Piece" Acconci stepped on and off a stool in his apartment every morning at the rate of thirty steps a minute, continuing the effort for as long as possible; the results of his "daily improvement" were distributed to the art public in the form of monthly progress reports.
Source: Kate Linker, Vito Acconci, Rizzoli, New York, 1994, p. 24.
Vito Acconci
also on UBU
.
Future / Climate / Map
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The Future of the Future
Feeling Guilty About Climate Change
Map of the World (after Buckminster Fuller)
Aspen Mays
Golden Gallery
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The Future of the Future
Feeling Guilty About Climate Change
Map of the World (after Buckminster Fuller)
Aspen Mays
Golden Gallery
.
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